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王红旗评冰花诗集《二月玫瑰》 Review of February’s Rose by Wang Hongqi
Review of February’s Rose by Wang HongqiReview of February’s Rose by Wang Hongqi Translated by Joseph Spring/史潘荣译
Reading Bing Hua’s poetry collection February’s Rose, I am overwhelmed by an emotional outflow derived from the deep experience of the value of spiritual existence of women.
While I have no idea why the translator and the editor have taken trouble to collect 100 poems in a book in such an order, I discover, after reading them as arranged, that Bing Hua’s poems, in relation with a unique landscape reflected herein by the state of mind, artistic conception, imagery, lyrical expressions, questioning, interpretation and reasoning, involve the combination of the poetical life and idealized love of a woman living as a new immigrant in the States, as well as the spiritual representation of her “sympathy and empathy” with all things in the natural world at both macro and micro levels, thus forming a historic portrait of women’s lives.
In particular, her ingenious structuring of and philosophical thinking about the memory, imagination, belief, psychology, and purification of human love sublimate the emotional existence into spiritual nourishment. For instance, the desire and despair rooted in a woman’s heart find their expression in the poem titled “Never Invest in Love.” In the poem “Lotus Root Is the Mercy Buddha,” the poetess’ spirit and belief, and her pursuit of pure, devoted and universal love, when combined, embody her great compassion of “saving the world.”
Of the last few poems in this collection, the poem “Size” depicts herself as “small,” and poems “Flowers in Tranquility,” “The Blooming and Falling of a Flower” and “The Light of Poetry” showcase a consciousness of the universe which aims to hold the charm of Nature. The life of the poetess and the wing of her poems are combined to fly forward and extend far to the distance. — Wang Hongqi, member of the Women’s Literature Committee of the Chinese Contemporary Literature Research Association and chairman of the Women’s Literature Committee of the China World Chinese Literature Association, has been engaged in the study of women’s literature and culture for many years.
评冰花诗集《二月玫瑰》/Review of February’s Rose 王红旗 拜读冰花的诗集《二月玫瑰》，一种源 于女性精神生命价值深度体验的情感涌 流，直击我心。
我虽然不了解翻译者、编选者为什么把 这100首诗如此排序，但是顺序读下来 后，连缀起诗歌里的心境、意境、意象 ，抒情、诘难、释理的独有风景，发现 了冰花的诗歌里蕴藏着女性生存于异国 他乡的诗意生活，情爱理想的化合蝶变 ，与自然万物的宏微锱铢“同情共感” 的灵性裸呈，构成了一部女性生命史诗 。尤其对人之情爱的记忆、想象、信仰、 心理、净化等多层面的妙想哲思，将生 存情感升华为精神的滋养。如《绝不投 资爱情》把女性埋在心里的渴望、绝望 ，表现得真真切切！《荷花观音》里， 诗人追求纯洁坚贞的普世之爱的精神信 仰，深蕴“度世人”的大悲悯之心。
诗集的最后几首《尺寸》以“小”喻自 ，《寂静里的花朵》《花开花落》《诗 之光》，颇有宇宙之心，容纳自然万象 之气韵。诗人的生命与诗歌合翼，延展 向深邃的远方。 ——王红旗，中国当代文学研究会女性 文学委员会委员，中国世界华文文学学 会女性文学委员会主任委员，常年从事 女性文学与文化研究工作。
文章来源：POETRY HALL Journal 《诗殿堂》总第27期 (Vol 8 No 1) Mar. 31, 2025 https://poetryh.com/F008JournalNews/0027.htm
https://roselupoems.blogspot.com/2025/06/review-of-februarys-rose-by-wang-hongqi.html[ 此帖被冰花在06-12-2025 04:44重新编辑 ]
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